“All I Want for Christmas Is You” by Doug Stone whines about lousy presents with a rockabilly twanging country rant. It’s a whole ‘nother thang.
“All I Want For Christmas is You” is Foghat complaining about Cadillacs and Stratocasters with acid burning ‘billy. He’s talkin’ ’bout you, you ,you.
Rocknroll Ranch dad rocks their “All I Want For Christmas is You”. Keep those toys with all that noise. (I suspect ulterior motives here.)
“All I Want for Christmas Is You” from Vince Vance & The Valiants is more diva ballideering, this time with symphonic rock. Appropriate for elevators everywhere.
Sylver returns us to moody, yet cheesy, pop with “Lonely X-Mas“. The causes: You’re not here with me. The cure: I can only wish that you were here. Case closed.
Powerful distress from Tamela Mann asks in nearly fluent English “What is Christmas Without You?” Lots of answers to that question here.
Cute Aesthetics disco R+Bs “Snow Globe“–oddly enough about being without Mr. Melody. Then it starts skipping. And doesn’t stop. Now it’s weird.
One of my fave-o BLUE ALERT dumped songs is Landon Tewers’s “I Hope You Have A Shitty Christmas“. He hopes you’re eaten by a shark. And yes, there’s a last laugh. Rock.
Big Top Heartbreak overproduces “Christmas In The Asylum” so that simple punk explodes into unbalanced easy listening. Colorful characters. Heartbreaking story.
Liam Carlin & The Kegs get proper punk with “Christmas in the Madhouse“. Adult supervision recommended.
The H.P. Lovecraft Historical Society, naturally, has “Away in a Madhouse” as a standard carol.
Santa in the sanitarium? The Therapy Sisters jump blues “Santa’s Got the Blues” with moxie. It’s not your fault, Nick.
Matt Roach applies social commentary to the shelter skelter of the holidays in “Christmas in the Nuthouse“. No jackets were straited in this rocker.
“Christmas in the Loony Bin” sounds as if it were recorded there. Daniel Johnston’s folk rager offers no solutions, only walls. Osaka Popstar‘s rocking cover makes more sense. Not that that’s a good thing. Faniel makes a funeral march out of it. Ye gods.
Arlen Rundvall opts for detailed storytelling with his “Christmas in the Psych Ward“. It’s indie punk grisly reality, wards and all.
Sophie Gault maintains she’s doing all right spending “Christmas In The Psych Ward“. Is it what’s true or is it what she wants? Country rocking the psyche.
Xmas promotes selfishness and greed, on a merit system purportedly, but still grabby and materialistic. So, look at me, everyone! I’ll tell you all about it!
“Dating a Narcissist at Christmas” is a parody on ‘Beginning to Look’ with some personal details given by Amber Kacherian. Bombastic rationalizations.
The Batman 2287 enters “It’s a Narcissistic Christmas” as a parody on ‘Holly Jolly’. Apparently this guy encounters no end of these selfish a-holes with big elbows.
“Christmas For A Narcissist” is punk pushiness from The Crackhouse Critters seeming to side with the self-obsessed. Privilege rules.
Since Me First is antithetical to the Christmas Spirit, ’tis The Satanic Temple who lampoons ‘Joy to the World’ with “Joy to Ourselves!” It’s all in selfish fun.
Why do you always gotta be the “Christmas Ham“? Make Like Monkeys want to know. Who ordered this center of attention? Retro rock (the good kind).
Battling the Elisabeth Kübler-Ross stages around the holidays finds little solace, and almost NO empathy. Stay in the spare bedroom with the guests’ coats, fer gudness sake.
“Christmas is a Grief Bomb” by Hetty White is a lively frolic through losing… well you pick. Your cat counts. Even Mother Mary saw cross beams in the manger. Christ’ll pick up the tab. (I’m babbling due to shock from listening to this.)
“Christmas Mourning” by Michael Allen Howard shouts out to loved ones in particular. But the chipmunking and kidsong melodies give one pause.
Salem Ilese takes a more morose method with her “Christmas Mourning“. New Age indie ethereality.
“Christmas Mourning” by Loser Company also draws out the notes in order to make this shabby indie into a dirge. Mission accomplished.
“Christmas Mourning” by Gavin Prophet advances to further stages as the garage pop goes rap then back. It’s a bit pissed.
Men and Mountains bestow “The Gift of Grief” with enough garage banging and caterwauling as to make a grown man cry.
The Crocodile Shop really rocks “December Mourning“, but not in a fully cathartic way. More of a party way.
The source of much television mirth, this crippling inability to function imprisons personality. Let’s have fun with that.
“OCD Christmas Elves” by Backbite is frothy pop AI that revels in delusion and insanity. Just some DSM catchphrasing.
“The OCD Of Christmas” by Malcolm Tent is ’12 Days’ about having to redo a gift endlessly, so inappropriate and annoying.
Pandemic blues elicited a “Socially Distanced Christmas” a condition when sung about by Matthew Jordan includes OCD. (‘Cuz bored…..) Showtune pop.
Just plain obsession evokes more perfumery than red flags, vis. “Obsessed with Christmas” AI folk pop by Bill Barlow.
More concerning:”A Christmas Obsession“, sinister AI orchestration from The Blake Robinson Synthetic Orchestra (ft. Gloom Darkheart) follows a creeper.
Joe Roggi identifies as “The Christmas Lunatic” due to his obsessive behavior at the end of the year. Call it method celebration. Bluesy easy listening with rocking guitar riffs.
Bah & The Humbugs included a lovely solo number for Santa in that pirate musical I’ve mentioned before. “I’m Not Obsessed” is a real symphonic soul searcher for the elf.
AI with personality, “Obsessive Compulsive Christmas” by Shagrats Ltd plays hob with the condition AND light rock. Suffering for our entertainment.