The notion of ‘The Monster’ predates all literature, and the Latinate root of the word seems to denote simply ‘Warning/Instruction’ (like literature is s’posed to do). Monstrophy tells us a lot about a culture. That’s what all these posts are about. Sometimes, monster’s a catchall for the odd outlier, the not-us. Here’s where those unspecific entries fall.
A+ Cake (feat. MC TC Mc) embody this generality with “We Wish You a Monster Christmas.” Listing centaurs, vampires, and your cat isn’t compelling. Nor is the parody (despite the rap coda).
The Universal Monsters were a successful film genre from the 1930s but reached great fame in weekend TV offerings during the ’60s. Lots of fun comedy and rock songs from that. Like Len Maxwell’s “A Merry Monster Christmas” album from 1964.
“Santa’s Monster Bash” by Dwight Frye and the Crew of Creeps is a welcome bluegrass palate cleanser. It’s a who’s boo of creatures.
Peter Pan Records put out their own hodgepodge of silliness with the album Monster Christmas Mash. Lessons are definitely learned. Probably later ’60s, but rereleased in perpetuity.
“Monsters Christmas” from Ys is nearly subvocal rap about some injured victim trying to react to some threat of some kind. There’s a cool story in here somewhere.
Red State Update raises the roof with “The Day All the Monsters Came to Church and Got Saved.” They loved Jesus, too. A Christmas miracle.