Year-round Yuletide oddities
“All Through The Christmas Night” is the soulful wish of Brian Culbertson who wishes to be held–by you–for that duration. He’s not sleeping, but he’s not exactly waiting for Santa.
The InfiniTeens also express an evergreen wish to be with you “All Through the Night.” Indie new age wistfulness. Kinda cute.
Not to be obvi, but another adult “Santa is Up All Night (To Get Toys).” This VaporWave parody is brought to you by Random Drivel Records.
“Christmas Nightmare” by Marco Park$ is fair rap about the holiday stressors. BLUE ALERT.
Kamatayan’s “Nightmare” seems holiday-oriented. Meet me on the moon! yeah? Metal poetry.
“Christmas Nightmare [Dark Christmas Lofi Hip Hop]” is a DJ mashup from Dated with all the disjointed anarchy of a bad dream. Cool.
Are stockings just one more prop for the set designer Xmas Day?
What kills me, is the song that shopping-lists all the Christmas cliches without any concern for coherence or storytelling. F’r’xample: Downie Street Collective’s pop anthem “Christmas Stockings.” A regular ‘Didn’t Start the Fire’–only without any mention of stockings that i can discern.
“Christmas Stocking” from Jakolev parleys retro electric folk rock into easy listening so completely i don’t get whatever the song’s about.
“Happy Christmas – To You and Everyone” comes from 3Berlin (feat. Robert Metcalf). It’s a red-nosed roster of different languages. Traditions come up, too–like candles, tinsel, and stockings.
Emility stutters through the electronica of “Christmas Stocking” as if it didn’t matter, or he’s having a stroke. I feel itchy all over now.
When Santa’s done with you–? What then?
Uncle Eddie (feat. Joy) feels left and “It was Santa Claus.” Mostly this is about getting nothing for Xmas, but the blues are comprehensive. And there may be touching.
“Santa Left Me (On Our Last Date)” blubbers out Sheila Powers. Rock to cry over.
“Santa Broke Up with Me on Christmas” is the experimental garage psychedelia from Stone Cold. Wah.
BrikLikesChicken is more poractive with the silly electronica “I Wanna Break Up with Santa Claus.”
Worth repeating: “Hooray for Santa Claus” has been covered in multiple covers since its 1964 De Lugg premiere in that movie back then. But i didn’t know Al Hirt hit it the same year (before it was ironically acclaimed). Now i know.
Sounds of Blackness grab some gospel in their uplifting “The Jolly One’s Here.” Too much? Not for SANTA! (The nasally rap interlude undercuts it some.)
Experimental bar singing from Hot Buttered Elves makes “Papa Noel” suspect as an icon. But he can take it. Nonsense scat helps.
Galloping jazz from Jmaq urges Santa to keep on keepin’ on. But “The Way to Go” is a proclamation of how the protagonist will gamble his day to day against the naughty list. Motivational!
Echolalia afflicts the awestruck King of the Internet in his experimental electronic “Santa Santa Santa.” He’s here!
There’s more to human male plumage than a beard, ya?
Well, it’s a band named Christmas, and then the metal rock song is about how “My Mustache Means Respect.” So we’re in the ballpark.
Matt Aaron (and child) recounts sneaking a peek at Big Red “The Year Santa Only Had a Mustache.” Soft pop with comic undertones.
Robots! Everywhere!! percussively garage pop the tune “Christmas Mustache!” all about that one time Santa didn’t look right. Whoa, my hands hurt.
Callum 36, on the other cheek, figures Santa’s new ‘stache makes him more manly and p0werful. “Merry Christmas If You Please” is an atonal adventure of the patience testing kind.
More pissing and moaning from The Ottomen in “The Worst Christmas Day Ever.” Excellent salubrious pop rock, but–? (Misheard lyric: everyone is bayonetted on Christmas Day.)
Eric Idle as Slyly the arctic fox schools Rudolph (a reindeer) about how “It could Always be Worse.” Show tune follies.
Kicking garage from Jonee Earthquake Band make the case that “(This Must be) The Worst Christmas.” I tend to believe their cry for help.
’80s electronica details “The Worst Christmas Ever.” Broken blender = no smoothie! Despite the real sax and synth, this is all retro (about Covid-19!). Go, Vapor Music, go!
Helen McCookerybook la-la-la-las a dialogue between the devil and Santa. “The Devil’s Christmas Stocking” is kidsong/folk about hope but stops half-way through. Maybe next year.
Justin Brown Durand rattles off some weird childish poetry to electronica about “Christmas in the Devil’s Desert.” Like with Dante, that’s a cold place. Don’t try this at home.
“Two Little Devils” refers to naughty ones at Christmas. King Truelove and the Relics import just enough rockabilly to make me believe.
MX-80 spent “Christmas with the Devil” and they have a few revelations to share with you about that. Spoken rhymes over experimental music. Wild stuff.
Thinking bigfoot and yeti are the same is like comparing a native of Atlanta with one of Tbilisi (both from Georgia, get it?)–ridiculous! So let’s party with our Himalayan friends. {A previous week of Abominable Snowman songs has already come and gone on the blog. So let’s get new ones.}
Scary red eyes and whatnot from Lightning Inside You recounts the coming of age every boy must face: cutting down a tree in the wintry woods while dodging “The Christmas Yeti.” It was a near thing. Folk horror.
Michael Scott Dublin (feat. George McMahon & Claire Ivory) wonders what you should do “If You Met a Yeti.” Lots of good alt-pop tips. (Hint: no racing!)
Bear Ron struggles with rhymes when he considers “Christmas With a Yeti.” Improvvie blues.
“Teddy and Betty Yeti” try being good to get presents, but as The Superions sorta sing they don’t know from human. This EDM spoken word confrontation with Santa gets grisly as they eat the North Pole-ians. Ew.
The Bunny Slope is for toddlers. CoComelon pushes the xylophone for the instructional kidsong “Ski Song.” Send the adults to bed to play this one.
The Micronaut uses some countdown electronics to take us “Skiing.” Occasional leaps make it frosty.
AVH Muzak introduces us to the philosophy of “Skiing” via spoken word and EDM. Everybody get down tonight.