Category: altrock

GK Vocal Coaching (feat. Scarlette 8elle) horses around with country pop in the phoned in “Don’t Need Much for Christmas“. See, she just needs you. Guess you aren’t much.

The Power of Truth punches the pop with indie vibe, because “Lovin U” is way easier on Christmas Time. Odd song. Not feeling the love with all the despisin’.

Beatnik Turtle wants to “Make My Christmas Bright” with presents and candy and stuff for you. Whaddya want, huh? Hurry up and decide! Be happy or else!

Cha$e Woodie wants you up with rapping R+B. He’ll “Make You Happy” if it’s the last rhyme he busts.

Luther Vandross wishes “May Christmas Bring You Happiness“. Soul disco seems less like an order here. Imma dance it off.

Collin Derrick offers to be anything you need: the lights, the gingerbread, the stocking… Look around at all the holiday trappings. Like one? “Maybe It’s Me“. It would be a lot creepier without the indie pop backdrop.

Evacuate’s “Holidays with You” is metal excessive about being with you. Easy now.

GrandIlusionist’s “Home for Christmas (80’s Rock Mix)” also flames up for being with you. Hair metal shenanigans.

American Basics’ “How Could You Want More” is live (and largely ignored) rock that wants answers, dammit.

Renzo Cesana’s “I Bought You Violets” is spoken word regret around the winter occasion of rejection. Erm, maybe roses?

Mark Hand’s “I Don’t Need Anything” recalls that one time of presents and cookies and kisses, but his indie soul doesn’t really remember. Just love.

Confused’s “I Don’t Need You At Christmas (Unmixed, Unmastered & Unloved)” toys with not needing you. Maybe you should just disappear. Then the hard rocking indie starts to wonder about next year. Slippery slope.

“Christmas With You Is The Best” isn’t traditional. It’s sex. Kooky alt rock fun from The Long Winters.

“Christmas You” is a special thing. It’s not an occasion, It’s not a sweater wearing oaf. Jamie O’Neal swings the country pop just far enough to make her point.

“Closer to You” is a reference to baby Jesus from Alison Trelfa. Light ‘n’ airy pop with genuflection.

“Cookies” are a symbol for warmth and love. The Coats sing about you being a holiday dream. And making cookies with you is probably NOT a euphemism. Doo wop a cappella.

CrookedSound gets psychedelic (unintentionally) in “Being with You“. It’s wildly dissociative and obsessive.

“Cult of Seasonality” By Surprise is a long haul of wandering glimpses of Christmas and you and doing and not. I don’t get it and that’s fine.

Harmonic Pulse Collective (feat. Jonathan Pallie) ASMRs “Lonely Lights (This Christmas Night)“, singing out to all those unassociated like them. Could form a band. Indie jazz.

Max gospel, Morgan James raises the rafters (andexpectations) with “Why Am I Lonely Tonight?” It’s that disco-country gospel you read about in the history books.

The Barefoot Man tries some 1960s easy listening with “Lonely Christmas“. Oddly this is prep for the tragedy. There there’s the dreams….

Dream Nails play the opposites game where the more family you visit for the holidays, the less you connect. “Lonely Star (Christmas Song)” is peppy pop with indie undertones.

Old 97’s swirl the drain with their “Lonely Holiday“. Weekend’s shot, might as well die. Grunge indie.

Darling statistics like to reveal the great number of people today who suffer isolation in our overpopulated world. Brazil self reports over half the pop is lonely. Social media overusers claim to have no real friends. We’re all in this together, right?

Then there’s the most family-oriented, romantic, friend-gathered holiday of them all: Xmas. God is love and Santa is giving and stores want you to come on back now, y’hear. But for many, this ideal deepens the chill and heightens the emptiness. Those commercials, i’m telling you, really rub it in.

I’m not entirely sure if featuring a month of solstice solitude will achieve cathartic relief for us or drive us toward the beckoning arms of self harm… but, gotta stay busy.

Start with the blues, amiright? Marc Broussard claims to be coming home when it’s “Almost Christmas“. I hope it’s the solution he needs right now. Home can be standoffish.

Metal to balance: “You’re Alone on Christmas Eve” from Aristocorpse is probably BLUE ALERT (mine ears can not discern so, but i’d expect no less).

Also more mood than word, B. Wells (feat. DaVan Official) rap out “Christmas Time!” as if that were a bad thing.

Brad and Barry turn down the indie rock to 11 with the blubbering “I’ll be Alone for Christmas“. Not introspective so much as it is deflated. Catching the mood just by listening, so–affective AF.

Woven in Hiatus says There’s an emptiness I feel when you’re not around. Well, it guess that means–you exist. “Joy” is anything but, rolling around sketchy imagery and partial feelings while turning a fair indie melody into sound.

Alan Jackson pulls out all the tissues with “Merry Christmas to Me“, a country weeper with left behind wedding rings and pretend cards.

Lorrie Morgan employs more cliched tropes to less effect in her “Merry Christmas to Me“. Country leavings.

B2K R+Bs their demands in the pushy “Why’d You Leave Me on Christmas“. Boy band whimpering for the masses.

“Sickly Sweet Holidays” is a cry for comfort from Dallon Weekes. He needs your nurturing, your nursing, your presence. Solid rock.

Creamed Corn aren’t sure who they’re missing. But “Merry Christmas, Carol” is a fine melange of if onlys and wonderments set to almost Hawaiian indie. Cool.

Jill Johnson is carrying a country torch in her “First Christmas Without You“. It’s slow, thoughtful, though the vocal trill gives it away. She’ll be fine.

“First Christmas Without” by War Pony Dos clashes tinkly xylophone notes with hollowed out vocals for ironic folk pop understatement. They get me.

hiShAndsRmiLk (ft. Hashter) mock their sentiment with “have christmas without me” with movie clips and garage insouciance. If you can’t laugh, boo hoo.

“An Awful Christmas and a Lousy New Year” is the name of the blues from Swamp Dogg with Jerry Williams Jr. and Bob Jones. Without their baby, who will fetch their drink?

Angry Johnny and the Killbillies was once a happy sort, now his “Christmas Cheer” is cussing, drinking, and hoping a flammable Xmas tree will carry his cares away. ‘Cuz you left. Raunchy country rock.

Clever alt rock, “Holiday Without You” has Reindeer Tribe holler out their dissatisfaction to some blue grass-like breakdowning.

Tyler Jordan allows how some want riches and adventure, but he prays to Santa country ballad style bc he’s “Christmas Missing You“. Not exactly appealing to her romantic nature demanding How Could You? I’d check with Dear Abby, dude.

Amati Bros dress up their “Christmas Night Without You” with a more sultry R+B, but tending toward rap. So there’s more directive than plaintive about it. Strike two.

No one should spend Christmas alone, declares American Bang’s “Christmas Song“. Some apology is allowed, so this soft rock carries the day–barely.

Truman Proudfoot & David Kandal trip all over their wah wah pedals in the unintelligible “Christmas Without the Missus“. Down home country mess.

Bobby Helms And Johnny Paycheck honky tonk weary grief in “Old Year is Gone” and so are you on New Years Eve. Did she leave on Xmas? Was it with a guy in a red suit?!

Bar Dracul hits minor keys with the indie dirge “Christmas Without Colby”. This is a repeat on the blog and i still haven’t figured out who Colby is. But i still tear up over the loss of this… fictional TV character. (Soap opera?)

J.Dub (feat. Meelah) ASMRs R+B with the upsetted “Christmas Ain’t the Same Without You“. We’re at the bargaining level of loss.

Don’t let me, asks Current Swell, spend “Christmas Alone” without you with some decent folk indie. What we gotta do, send Santa over?

Cheap Trick is not very eloquent over the wishes for “Christmas Christmas“. Peace on Earth, time for family and friends… oh and wish you were here. Soggy rock. Watch out for the drunk karaoke at the end.

The Refreshments cowboy the indie with “The Time I Miss You Most“. ‘Sides, they miss you all the rest of the year. Only a matter of magnitude.

Perhaps a tribute to Tom Waits, S.L.T.C.P’s “No Snow in New Mexico” indies dolor with a fine banjo backing. Painfully good.

The Brown Company speeds up the feelings with “All I Want For Christmas Is For You To Get The Hell Out Of My Life“, a hyper indie that pulls no punch. (BLUE ALERT? I can’t tell.)

Defend yourself! Against yourself!

Keeping Calm and Carrying On, Helen Arney puts on a brave face in “It’s Going to Be an Awkward Christmas, Darling Part 3“. That’s a tomorrow problem. Pop folk.

“I’m Avoiding Christmas” is jolly folk pop with creepily overenunciated vocals. I got chills, but did learn a thing or two.

I don’t want people to see who I am, bewail Zoe Imperium in the mopey indie pop “I Don’t Wanna Go Home for Christmas“. That’ll solve all your problems, kid!

Don’t try this at home! No Metro’s “Winter Denial” runs outside in shorts and courts retributive frostbite. Sparkly indie.

Infernal Monarch’s “Christmas Freedom from Binge Eating Disorder” seems to celebrate the illness while compartmentalizing it. AI metal that makes you go Hmm.

Speaking of locking it away, Collaborateurs advise you to take your problems and Put in on the “Sleigh“. Catchy R+B with boss backup and sax solo.

“Whimsicles From My Icey Gutters” also has directions for dealing with it. Ages ramps up the rock to overdub the pop.

Christmas as a crutch becomes the point in “Christmas Binge” by Strange Wars. At first, i too thought This is only annual traditions paraded about. Then i listened again. These people are trapped. Harmonious indie.

Opening a dialogue, War Pony Dos begins with an apology in the pop indie “Solstice Solace“. Will a mental healthy relationship follow?

Perhaps achieving stability, Cimrya Deal allows “(I Used To Cry) ‘Round Christmas Time” by allowing joy as well. Positively therapeutic. Syncopated alt rock.