Eva Via scams the fam at the holidays with a pretend boyfriend. But “Make ‘Em All Believe” is more romcom than psychological desperation. When I remember going skiing during MLK day — all those runs; I say that we should try this another month. Thus, true love.
“Ski Lodge in the Late 80’s” by Comfort Noise is a palate cleanser of an off-brand instrumental. Scraping, screeching, pounding. But it works.
Strangely exotic, “Embrace It All… Feliz Navidad” is more Carrib than Mexican. Mami Ishibashi (feat. Mayan) swings it. The skiing might be on Gulf waters, though.
Pixie and the Partygrass Boys actually suggest skiing in their bluegrass rafter-raiser “Ski and Party.” Boy howdy.
Andorran music-maker Arinsal may know something about “Skiing Sessions.” But his Bossa nova beat instrumental suggests heat more than slaloming.
There’s a ‘Jingle Bells’ parody going around–“Broken Skis“–that’s as basic as novelty gets. But it’s fun to inflict it on others, so here you go. Oh, and Amber Waves Band brings it us with bluegrass. Almost makes up for the earnest original carol belted out after the funniness.
Tae Hendrix recommends “Just Smile Be Nice” with some alt-rap weirdness. Don’t forget skating the streets for the homeless as an approach. If it works, it works.
Lundström recommends ice skating for a first date strategy in “Christmas Magic.” Light pop with a fringe of R+B. And some happily ever after.
Katie Morey’s honky tonk singin’ ’bout last year when you connected… and now it’s this year and you are “Skating on Thin Ice.” This calendar of your bad boyfriend moves moves her. And now it’s Christmas thin ice. Good stuff.
Matt Dorrien moves from Portland in time to have “Christmas in L.A.” Soft rock to pick the neighborhood: Three decades ago Wasn’t safe after dark. But it’s gonna be okay. ‘Cuz Christmas.
MxPx want you to have enough cheer in the rocking “Christmas Day.” How much is enow? There’s Chistmas cheer, enough to last you three whole years! Get some!
One of my favorite comedy ‘bits’ about being split up for Xmas is “Xmas Blues” by Big Tyme. In this spoken word masterpiece, Otis is banging on the door wanting Bonquisha to let him in for a Merry Christmas. He admits three years ago, he bought crabs instead of ham… but this year’ll be better.
Sadder is Ondara’s “Mother Christmas.” Oh, I want my mother here for Christmas; Oh, it’s been three years and oh I miss her goes the lament in bluesy pop. Three years? I guess that’s enough time to think about what you did.
Rebound time with The Kota, autotune rap/R+Bing who confesses, My heart was broke three years ago; I don’t wanna spend thе holidays here alone–My hеart still been healing though. “Christmas on the Channel” is the answer to seasonally affected time.
Kristin Hope Key is having a bad season: Late for work three weeks in a row… and so much worse! But in her best jazzy horrid audio she torch sings “All I Want for Christmas is Forgiveness.” What would the birthday boy do?
Carbon Leaf is picking and grinning in the luscious countdown “Christmas Child.” Starting three weeks out they run us to the breathless conclusion with joy. Pop by way of bluegrass.
Yes, the big ‘number’ in ’12 Days’ is the ring count. Such an odd jewelry insertion into a bird/servant mix. It got noticed and celebrated.
MaynEax wants to know “What U Want 4 Christmas” ‘cuz it’s prolly HER. See, she’s sporting Five golden rings, Got the bling, Got all the cha ching–Like what you see? She’s gonna rap like that.
Brian Lubucki is too interested in you to worry about setting the scene: Snow falls and the choir sings Bout love and the five gold rings. That should do it. Harmonic rap to make “It’s Christmas” NOT stand out from the billion other holiday songs.
Also listing, Toby Young mixes Five golden rings and the TV, so at least imma wondering wassup. Gradual garage makes “Here for Christmas” playable.
Chance the Rapper and Jeremih paint a more personal portrait: Bucket full of wings, Trying to give about five golden rings, Balling for the chills, Drinks on, get your smoke on. Rapping with vocal exercises mixed in give us a “Chi-Town Christmas.”
Starshine Singers butt in with the antic kidsong “Where’s the Ring?” As in: Five rings are not for buying. One’s missing so we’re crying. Count along!
Maybe it’s just more present. FaZe Kay electronic filters his “A FaZe Christmas Song” wishlist with: New LV, hell yeah, Givenchy-venchy, oh yeah, Five gold rings, hell yeah, Lambo or the ‘Rari, yeah… Silly rap.
Girlfriend management can be much: She said who is Saint Nick? all she want is Saint Laurent: Four birds that are calling or 5 rings that are all golden–-Imma make sure Santa brings you everything you want. Hrtbrkblake’s got it bad; raps all over himself in “Mistletoe.”
Mark Erelli excels with the blue grass aftermath twanger “Ain’t No Time of the Year to be Alone.” By himself he decides: I want yule logs, reindeer, egg nogg, good cheer, Five golden rings, Not Kris Kringle’s singles therapy. Coping are we?
“[At Least for] A Little While” is a honky tonk song about an odd date: Baby, take me back to Christmas night, It was eleven o’clock when we got high. Good times.
Good evening ladies and gentlemen: Tonight, at this eleventh hour We have a very special treat for you: begins Legs Nose Robinson in a tribute to the Christmas 2013 Dr Who special in which Matt Smith is replaced by regeneration Peter Capaldi. “Goodbye Bowtie” is fun Brit pop.
Perhaps too drunk to appreciate the time of the year, Kristie K slur-raps, You know what’s going to happen When clock show eleven: You’ll be dancing and laughing. “The Most Wonderful Time of the Year” doesn’t seem quite so here.
Swinging between adult and childhood, Darryl Rahn folk-pops “I Guess It’s Christmas” about when he’d be up all night to when he’d be sleepin’ ’til eleven. I guess I just grew up. So sad.
Much more Christmassy, “It’s That Time Again” is a bluegrass inflected ditty about standing outside the church It was about eleven, and the service was about to start and wondering about what if Christ were here today, that present for Dad, and what was that light? Rich Krueger’s stream of consciousness is festive.
Broken hears and loneliness are so much MORE this time of year.
“December 24th” she came into your life. Then she was gone. So let’s rock about it. Robert Jackson and Alan Ihr make a meal of it.
It’s the 24th: The neighbors all go caroling; They dance around and sing, While I sit around and wait is the theme of “Alone on Christmas” by R+B growler Gatlin Loranze. Move on, moper.
Rich Evans wants Santa to bring you back to me, as he misses “Christmas Kissing.” In his rockabilly blues screamer, he mopes: I wonder is it me you remember On the 24th of December. Odd mix of uppers and downers.
“Dead by Xmas” is the dying declaration [Friday is the 13th to 24th– It’s not so long to go] of the heartbroken from Hanoi Rocks with dramatic ’80s rocking. A girly translation from Sohodolls also rates high marks.
Getting colder, the killer’s at the door… “December 24” is an awful reminder of isolation for the banjo picking, tuba oomping, tune whistling John Galbraith. (Could be a happy ending coming.) Jugband fun.
Callback! “Bucky the One-Eyed Reindeer” returns to commemorate the big Christmas crash of ’28. Jaunty kid music from Santa’s Elves. Some blame on the stock market crash may seep in from this catastrophe. Depressing.
Flashback! “The Story of the Lawson Family” is more marred than made by its Xmas connection; hardly a holiday ditty. But it was 1928, and i found another artist–The White Brothers–who holler it pretty dadgum well.
An awesome tribute to Hank Williams, Sr is “Christmas, 1952” a tinkling, tinkering slogger of a bluegrass eulogy from Ray Templeton. The talk is that ol’ Hiram (real name) was plagued with pain and pills and divorce and excommunication from the Opry and that was that. But the narrator here takes up his cause at the Xmas dance the week before he died of a doctor assisted OD. Really, you gotta hear this one.
Forebodingburger starts out garage at “December 21, 2003” and is gonna make toChristmas Eve if it kills me. Fingers and toes crossed for ya, buddy.
Giving in to the rage, that’s um… sees “Christmas 2003” as a roadblock to self actualization. And BLUE ALERT‘s the mopey pop to boot.
More uplifting, Todd Bruhnsen’s missing you and drinking in “Christmas 2003.” The pain seems to have scarred over now with his guitar gently weeping.
That whole war thing was going on, so when Richard Melvin Brown sort of sings the ersatz clavichord country of “Santa Bring Daddy Home” his attempts to weeping go over as well as you’d expect.
On the other loss of limb, 2003 was so long ago it was the last time Sam Sky had “Xmas Feels,” when he was a kid. Now the R+B complaint is the lack of any sensation. Just want to feel something for Xmas… You know, the uzh.
The Sunflower Spectacle is looking further up with “The Christmas of 2003” and some childish antics. Alt-rock with loads of clanking.
An alt-rock song of friendship, “Anywhere You Go” is okay with AunA–despite those good old days of 12/03 when you decorated trees badly.
Aw, hell. This was a dumpster fire year. So here’s a phone call from dad in prison in the vaguely bluegrass “December 2003” by Do You Hear What I Hear? (feat. Those Guys). Regret. Shame. Sniffle.