X-claim: hey (pt. 2)

Some exclamatory songs aren’t hollering at Xmas itself, they want the notice of a certain someone. YOU!! (maybe)

RuPaul (feat Markaholic) gathers the girls with “Hey Sis, It’s Christmas.” This dance rap stokes the folks afraid to enter the dance floor. Come on (you can have a refrain, too)!

Just as queer, Randy Rainbow’s “Hey Gurl, It’s Christmas!” smacks the fourth wall show tune style. Those in the know expect the political commentary, but this extravaganza is the whole party start to finish.

Hey Little Drummer Boy” is rockabilly reverence, believe it or don’t. The original po’ boy wittout no geeft is honored in style by Tiger Room. (Not fur shore ’bout the credit here, several ‘bands’ on several compilations are credited for this hot number–my link is to the earliest i could find.)

Rocking Cosgrove makes pop music out of rocking country in “Hey Baby It’s Christmas.” Seamless and catchy, but i’m trying to lower my sugary intake. Phew.

Oli Patto goes the imperfect pop route with “Hey! Baby It’s Christmas Day!” slamming the lyrics hard and riffing off ’12 Days.’ Ironic pop.

Fing’s “Hey Baby It’s Christmas” is classier with bebop and harmony and gravelly vocals. Not pop much.

Tony Spar and Brett Lashley big band up “Hey Baby It’s Christmas” with more jazz than you can handle. Delightful.

X-claim: hello (pt. 3)

What’s up with greeting the holidays? Songwriters think this is some amusing apostrophe to the personification of an institution, or sumfen.

Gabriela Radu sings like an impatient child calling out “Hello Christmas.” But the sultry rhythms and slurring diva tones creep out the kidsong genre. Run, Christmas!

(Maybe) not as skin-crawly, Peter Joannou (Brighton’s Singing Barber) galumphs through “Hello Christmas” as a maudlin, inescapable hearkening to olden times in that old smokey lounge lost from a distant decade or two. Shiver me Decembers!

Thwp adds “Hello Christmas” to their chorus to let the calendar know they’re on to the imminence of that festivity. Kid rock that stinks of pop.

Aging dad band Robocalls (fronted by Roger Bogren) rocks the Kohl’s with “Hello Christmas.” Creaky and not fully fluent with English, they get it their best.

Les Fradkin may have been something a while ago, but his grandpop pop “Hello Christmas, Goodbye Year” is too measured and mannered to be the rock he’s looking for. Trying to be hip without breaking one.

Newlife Music reminds us in “Hello Christmas” that the King is born. A little gloria is interjected thusly and this indie pop falalas hither and yon. It’s engaging stuff, but light on lyrics for all its message.

Josh Ingyu uses “Hello Christmas!” as a rollicking pop intro to the whole year of holidays. My calendar says otherwise, but i threw it on the floor when i heard this stomper.

Myla Smith demurs in her coy country-band yummy “Hello, Christmas!” (Finally: full punctuation!) Her reticence is from being on the receiving end of cheating, so it’s a wonder she’s as perky as this. Got a real Dolly-warble going for her (that’s a good thing).

Wait–I Mean It

Let’s get mean. At this point Christmas is over, and we don’t know why we were so gung ho. I mean, what did we expect, really?

Punk pop from The Earps pees all over the traditions in “I Can’t Wait for Christmas (To be Over).” Slight BLUE ALERT. You know.

Heather Henderson gets ironic big band chanteuse about cat poop and parental insecurity with the luminous “I can’t Wait for Christmas… to be Over.” Give the little lady a hand sanitizer.

Don’t Wait

Wait, don’t wait–what’s a child to do with Christmas in the neighborhood?

“Don’t Wait ’til the Night Before Christmas” to be good, so went the big band standard from pre-WWII. I enjoy Miss Rose & Her Rhythm Percolators wagging a trumpeted finger atcha. Rosemary Clooney and Nick Clooney have a fun rehearsal tape of this. For good measure, here’s Dick Robertson and His Orchestra setting you straight:

12 o’Clock Bells

Bells might ring all through the holidays. They certainly do the week after Christmas for the new year.

Dave Para and friends gets in the folk community spirit with “Ring in the New Year.” Unplugged revelry.

Garage celebration from Motion City Soundtrack. “Together We’ll Ring in the New Year” is churlish and sarcastic. But, that’s good for the genre.

Let him die, intone the a cappella Crofts Family with a dirge for the old. Not sure i’d sing this “Ring Out Wild Bells” on Dec. 31. Folk sorrow from the Alfred Lord Tennyson poem ‘In Memoriam.’

Vintage crooner Johnny Cole chimes in on “Ring Out Wild Bells.” The new is coo’, daddio.

Did I say cool? Billy Ward & His Dominoes is gonna take us on a trip to Mars “Ringing in a Brand New Year.” Doo wop done right.

Zip

No Xmas presents because you forgot?! Is that the weakest excuse ever?!

Sonny James plays it cute despite the steel guitar country twang of “I Forgot to Remember Santa Claus” while buying presents. It’s 1954-ful of innocence.

Tony and Da Guys brandish the cool guy big band swing of “I Forgot That It was Christmas” like that ain’t no thang. You might get away with those bad manners, ya so charmin’!+

Baby It’s Coal: arrgh

Ratchet up the wretchedness with these willful whiners. Grr, they coat coal in their stockings for Xmas! Cry havoc!

Why? folk smashes Jake McDonald in “Coal for Christmas.” Well, there’s a moral lesson to learn in here, i guess. But it rocks.

Mighty Magic Pants power rocks their ballad of woe “Lump of Coal” featuring a naughty nancy who shows no remorse. Cold!

Big band swing eases the pain of The Ohio City Singers hollering about dirt done them in “Coal Miser.” Powerful fun from smothering misery.

Yee Haw-liday: Santa cowboy

Who’s the biggest cowboy of them all? Santa Claus! Because he herds deer. Or something.

Santa is a Cowboy” raps Isaac Stancill, with a mandolin backbeat. You heard me.

Did you know that “Santa is a Texas Cowboy“? sings Red Sovine. Hey, allow some privacy for the guy. Or at least a dignified song, not this kids’ pap.

Tex Ritter identifies with “Ole Tex Kringle.” Bass announcing to the kids seems scary to me. Big band high falutin’ fun.

Born this Day, one

The whole cause célèbre for Xmas is the birthday. Apart from three wise men, no one much noticed the day Mr. Christ was born. But celebrating that calendrical point becomes more and more special as the millennia turn.

And yet… don’t other people have the same birthday? Is that a thing?

(Not much of a one as it turns out, few songs make this case. And according to a senior lecturer at Boston University 1/3 less babies are born right on 12/25 than say on a day in the middle of September–in the USA.)

The big number here (“My Birthday Comes on Christmas“) was made famous by Spike Jones and his City Slickers. As is usual, it was a cover of someone else the year before. Dallas Frazier and Joe “Fingers” Carr perform a schtick-y low rent version complaining about only ‘getting half of what I oughter.’ Trout Fishing in America gets home-styled folksy for 2015 in theirs. Adam Brand swills sweet country tea in his 2018 entry. Overblown orchestral production arrives fully formed from the cracked redhead of Lindley Armstrong Jones 1956 (vocals by George Rock, the ‘Gettin’ Nuttin’ for Christmas’ guy).