Category: show tune

Rarely has a smudgily drawn cartoon about middle class losers of–at best–annoying personality traits been rendered with and received so much talent and love. The show is at times cringeworthy and at others breathtaking, without any warning.

The songs are often brilliant. Though they can be headscratching…

“The Bleaken” is the marching song of the Belcher children on their way to confront a Christmas demon who steals presents. The song only has a couple lines, but a fan here are stitched together snippets to form the metallic battle cry anthem here.

During the same episode the mother stumbles upon a rave that has been constructed out of her stolen neighborhood decorations, but relents when the Queen of the Ball sings “Twinkly Lights.” R+B party music. The “Reprise” is actually better (a trademark of the show is the end credits music.)

The music also inspires groups to replicate it. The Nationals makeover “Christmas Magic” as an alt folk dirge. The original is noisy and crazy as a group improv folk number.

Rerun: “The Spirits of Christmas” is sung by landlord about the reason for the season–glug glug glug.

“Linda’s Christmas Dream” is the apotheosis of the sudden fragmentary musical number out of nowhere teaching us to live above our misery. Showstopping diva symphonics. (Mr. Present sounds nice.)

Let’s end on one of those end credit pieces. “We Can’t Spell Christmas Without US” wails and sells the jazzy show tune out of the park.

This Rocko’s Modern Life descendant is a musical cartoon about adventurous step-brothers, but as a Disney channel kidstoon the songs are a given. Since the songs have been nommed for awards, we’ll give some of the 2010 album a listen.

“Winter Vacation” is a good place to start. for to look over the setting, meet the characters, and glimpse their unlikely adventures. Disneyfied rock, but Bowling for Soup thank you very much. The inevitably drippy pop song “That Christmas Feeling” comes from Olivia Olsen, the daughter of the evil mad scientist.

The signature childhood angst of the show finds form in older sister Candace’s ’50s pop lament “What Does He Want?” and the entire cast’s showtune anthem “Where Did We Go Wrong?” (Don’t fret, those are answered in “Danville for Niceness” and “Thank You Santa.” Happy endings, all!)

Most kids’ favorites for the show are the hero-nemesis duo of the pet platypus Agent P (featured in a commercial promo for the show, as he doesn’t get a whole lot of song or vocals, “We Wish You a Perry Christmas“) and Dr. Doofenshmirtz the not-so-confident mastermind, whose conflicted song “I Really don’t Hate Christmas” is a virtuoso of character constricted vocal chords (think Daffy Duck a la Gilbert and Sullivan).

A Cartoon Network show that never caught on (too hip?), but was reincarnated at least twice, season 4’s ender was jolly romp to cure Santa of vampirism with Death and the Head Vampire (Malcolm McDowell) trailing the way to the North Pole. As is their wont, these mythoids sing while trekking (cf. ‘The Wizard of Oz’). Thus “We’re Off,” a snippet of silliness (near the end of this cute clip).

More envelope pushing, this time from MTV. Clones of historical icons are raised in a gov’t facility, and go through awkward puberty all at the same time. But they have limited cultural influences. No actual Christmas, although they celebrate clone day with lamb tacos, cabbage patch dances and the holiday’s figurehead, a pirate named Snowflake Jake, who brings children delicious spices if they threaten him just right.

You’re getting this, right?

Don’t believe me! Try a mock album of “Snowflake Songs” by the JFK clone.

A Nick Toon that didn’t get off the ground (or enslave the planet), a dark allegory for the hopelessness of man, a so-so sci-fi apocalypso (of cult proportions)… the end of the series was the usual Santa as doombot. (Well, it’s usual NOW.) “Bow Down” from the series was reprised at this year’s SanDiego Comicon by the creators (about minute 8), and also gets a cover by youtuber Meri Amber.

A less Nazi-sounding Dexter, the boy genius of Nickolodeon has more realistic playground and family problems than the Cartoon Network version. But he still disagrees with Santa on a scientific basis. In his second season in ‘Holly Jolly Season’ he walks a million miles in the jolly old elf’s slippers to learn his lesson, but not before first suffering the indignities of grade school adulation for these ridiculous myths. “Basking in the Warmth of Christmas” is a jazzy show tune of faith vs. doubt.

The highest grossing media franchise of all time does indeed have a Christmas album, Virginia. It varies from smelly schmaltz (“I’m Giving Santa a Pikachu for Christmas“)

to annoying preteen pop (“Christmas is the Coolest Time of the Year“)

to oddly affecting altpop (“I Keep My Home in My Heart.”)

The all out unabashed commercial fan grab is “Pokemon Christmas Bash.” Hello, Pallet Town!

My favorite (?) is the snarky Meowth snarling “Nobody Don’t Like Christmas.” All holidays come under fire. But, wait for the final twist. Show tune vaudeville.

 

 

New ‘toons on the Cartoon Network cable channel showcased outsider rage and complicated failure as winkity-wink ironic lessons for hep tots.

“Dexter’s Christmas Rap” reveals what an evil boy genius thinks he knows about the supposed Santa Claus. He will later be humiliated with Truth.

The ape shaped Elvis emulator had a pratfall-filled set of loser adventures rivaling Andrew Dice Clay in cluelessness.

In 2001, Johnny raced to the North Pole because he forget to post his letter to Santa. Donny Osmond, in a return to the cartoon series, assists… in song! “A Johnny Bravo Christmas Song.” Just a snippet in this excerpt.

This prestigious, counterculture cutsie slugfest had a decent holiday special, but i’m drawn to the holiday commercial with song.

Ladies and Gentlemen, “We Three Girls.” Frantic carol parody.

This formulaic yet well cast sitcom inspired foreign TV (usually the other way around) with the power of personae. The 1995 Christmas special ‘Oy to the World’ did not apologize for a JAP in a WASP-hold, but shrugged and whirled in cartoon form.

The minute and a half showstopper midway through the morality lesson showcases Daniel Davis as the head elf Elfis welcoming Fran Drescher to Santa’s toyshop. No helpful Youtube exists of this song, so i hacked it as best i could.