The Other side hard metals “Satan Claus” to lead us to irony, gravity, and choking up blood. Add ferocity and you got Yahtzee.
La Funky Simia tells the tale of the little one who misspells Dear Santa Claus. and writes “Satan Claus” summoning the end of the world, as well as a place in Hell that teaches proper orthography. Pop v. metal splendor.
Dated’s “Satan Claus” is word salad to electronica. Just seems to fit.
ApophisDaGod figures a general perversion of all that is good turns Santa to Satan. Hence, the parody “Satan Claus is Coming to Town.” Nowhere to hide.
Another ‘coming to Town’ parody, “Tor Wants to Spoil the Party” is mostly spoken. Tor Hershman claims there’s no Jesus or Satan, but confuses them together nonetheless. Too many drugs? Not enough drugs?
The Hot Buttered Elves begin with backward spinning, but jazz up the slow-pop for a fairly long-winded “Satan Claus.” Not as scary as pedagogical.
The original Bible (OT) doesn’t feature much Satan, just some snake in a tree. The New Testament feeds the need people had back then for the celestial or more-than-human with angels and demons and their stories. Temptations and accusations become the incarnate evil, the horned one.
The whole anagram thing has been debated before on the blog. So let’s avoid the devil with the jolly white beard.
Is being the first on Santa(God)’s list the same as being the “Last on Satan’s List“? Fireworks metals the answer in hard-to-follow parts.
Music Vault kicks a Bossa nova beat to wish “Merry Christmas Satan.” See, this time of the year is his fave-o due to all the inviolate inhumanity inherent in us all.
Who’s the devil? You are! You’re the devil!! “Slick Nick, You Devil You” is Fishbone’s gospelly pop to point out Santa’s failings. Guess he‘s not on anyone’s list.
Jim Barnett places Scratch at the Nativity with crazy honkytonk in “‘Ol Devil Raids Christmas.” They debate JC’s potential influence through Christmas (He’s a baby, natch) and The Devil begins to slip… STAY TUNED
Perhaps it’s but geography, but “The Devil’s Bones (A Deserter’s Christmas)” has spooky musical saw noises. Ratatosk makes this horror warning out of an Old World waltz.
Grant Raymond Barrett tinkles the ivories with jelly roll blues for the classy/silly “The Devil Takes a Holiday.” Too good to let the leap bother me.
U.S. Christmas garbles the hillbilly country “Devil’s Flower in Mother Winter,” but it’s clear this is a dark worry and a frigid fear.
Das Blankout croons the folk “A Devil’s Christmas” with a grudge. It’s about breakup. Grumble grumble grumble.
Helen McCookerybook la-la-la-las a dialogue between the devil and Santa. “The Devil’s Christmas Stocking” is kidsong/folk about hope but stops half-way through. Maybe next year.
Justin Brown Durand rattles off some weird childish poetry to electronica about “Christmas in the Devil’s Desert.” Like with Dante, that’s a cold place. Don’t try this at home.
“Two Little Devils” refers to naughty ones at Christmas. King Truelove and the Relics import just enough rockabilly to make me believe.
MX-80 spent “Christmas with the Devil” and they have a few revelations to share with you about that. Spoken rhymes over experimental music. Wild stuff.
Gotholic (ft. Anno Domini Nation) imagines a different Nativity in which The devil watches His mother in pain Waiting to devour. “Christmas Eternal” is Christmas music with gargling metal.
So, Hallowe’en is “The Devil’s Christmas.” Yet Gurf Hankle’s lively dirge pop make a celebratory point. Everything is Bones; everything is Blood; everything is Death! Party on!
“The 2nd Christmas” negates the devil’s power, according to the plonking piano club blues of Kam Stewart. Then the congregation joins in….
Harvey Darkside galumphs “The Devil’s Christmas” like a silly devil. He forgot to hang a Christian on the tree! Jug band fun!