Damn That Holiday: Armageddon.6

It could be the end of the world, sings Akal Odea (feat. DW) for “This Christmas Will be Different.” It’s been a helluva year, he continues, with an R+B downbeat that harshest the buzziest of buzzes.

Palma Violets approaches “Last Christmas on Planet Earth” with enjoyable rocking pop. Rudolph was shot down, but hey–whaddya going to do?

Everybody’s running and screaming crazy! when nuclear war threatens at just the wrong time in Hot Buttered Elves’ “Dead for Christmas.” Listen for the cheering at the end of this garage crowd pleaser.

Tyler Huston gets metal with the rock if it’s gonna be the “Last Christmas on Earth.” I mean, party–right? Or–declare love. Yeah, that’s good, too.

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The screeching metal of “Eco​-​Crisis (All I Want for Christmas is the End of the World)” is Big Brother asking you to take a good look at yourself and quit killing the planet. ‘Kay?

“Party at the End of the World” by The Boys suggests dancing. Odd indie wanderer.

“I Hate New Years Eve” includes watching those people on TV who lose their minds like it’s the end of time. Fine folk pop from The Sunflower Spectacle. Tell us what you really think.

“Maybe It’s Not the End of the World” hopes Kerrin Connolly. But her folky indie has to discount the disasters, catastrophes, and radioactive fallout to get to that silver (and gold) lining. So long as you’re singing, i have hope.

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“Our Most Glorious Leader, M​í​che​á​l Ó Muircheartaigh, and His Band – Pyongyang by Christmas (AKA People Who Give Socks As Presents Are West Brits And Will Not Be Spared When The End Times Come And Our Parish GAA Field Becomes Sentient)” by GITrashposting says it all. And then again. Again. Again. Oh. My. God.

Figuratively, “Christmas for the End of the World” by And Then There Was One wallows in the disappointing times we live in. Sing-along pop that points out society’s foibles.

Clear and plaintive, the hair rock of Apocalypse Radio spells out “Christmas at the End of the World.” Get in line now.

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Bummertrash gets us back to the garage with their shoulder chipping “Joy to (The End of) the World.” Something’s got their goat. BLUE ALERT

Billy Reece is in Pandemic panic with his jazz band “Christmas at the End of the World.” Go grab some ammo… and dance!

Bemoaning the gloom-and-doomsayers, Tampa Stan wants to know, when the end comes “Which Hill Do We Meet On (& Who’ll Bring the Beer)?” From a Christmas album, but not exactly in the spirit–though a suggested remedy for hemorrhoids (asteroid colliding with Earth) is quite generous.

In Providence is looking for his nuclear winter girl while the bombs are whistling their tune in the haunting “End Times.” But, it’s Christmas! La la, lala lala….

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“Xmas at the End of the World” by Teenage Kicks (Peter van Helvoort) is more gentle retro rock pop electro-strumming. Close your eyes, baby.

The Doubleclicks get more agenda-driven with “The End of the World” off their Christmas album. Global warming and trolling on the soshes don’t directly connect to Xmas. But it’s the end of all things. So, let’s enjoy this gentle pop.

Something Sneaky also neglects holiday mentioning but renders their “End of the World” in fine rock fashion from their Christmas album too. I can dance to it.

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Absolute Studios play on REM’s hit with their own office shouting match “It’s the End of the World (And It’s Christmas).” Went to some trouble listing our early 2010s woes. Nostalgic, almost.

Al Axy performing “End Of The World (Christmas Version)” has only a couple lines altering it from the original un-Christmas version. And it seems maudlin pop upbeat for all the doom-crying. Oh, well.

Jay Stansfield’s “A Good Last Christmas” is zippy pop of romantic propositions, while the dead are walking and Santa is chasing children with his face half hanging off. Not evocative enough? Listen for the epilogue’s sound effects.

Sad Dad is not joking around with “Christmas at the End of the World.” This new age pop poem spins up the possibilities in the null set. Nice.

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Whether the end of the world is following the Xian timeline or the Devil’s ultimate gimme… it’s going to hurt like hell.

Covered some of this before when the Mayan calendar ran out for 2012. Some good endtimes.

Gentle folking makes “Christmas at the End of the World” go out with a whimper (not a bang). Tom Stone guides us through the ennui and happy nihilism that may or may not be the themes of our current days.

Marty Skinarty returns us to the Mayan prophecy (dude, they just ran out of calendar writing tools) with the adorably folk-pop “Happy Christmas (It’s the End of the World.” Lots of fun theories here: robots, aliens, killer bees, or Mexicans.

Damn That Holiday: Hellions

BLUE ALERT for Busdriver’s mad rant over the holidays. “Ding-a-Ling-a-Ring-a-Ling” is a rap for the ages (adult only) that compares cashiers to hellions. It gets worse. Catchy bicycle bell though.

An actual hellion enters stage right in ‘Possessive! The Musical.’ Yet this Darian merely interrupts the satanic conjuring of his sis in order to get filled up with badness. He wasn’t ever getting but a Whole dang coal mine Christmas stocking; still i figure this is more victim than minion. Listen to the metal limned “Friday the 13th (Intro Intro Intro)” to figure it out.

Elevnety Seven (feat. Spaceman Jones) Suffered a nervous breakdown Bringing Christmas Eve back to Halloween Town crawling out of the “Hellmouth.” Rapping the pop song. So, bleak AND annoying.

Fleetwood Mac figures If today was Christmas day And tomorrow was Christmas Eve, there wouldn’t be need to worry about the “Hellhound on My Trail (Take 1).” Tinkly lounge music that reminds us Xmas trumps Hell-things.

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In my cell, a Christmas hell, like a Yuletide lobotomy was the take away for Jeff Avinson with some fine Calypso pop (and scat). “Stop the Bells (Jingle Bells)” is his 12/25/2020 verdict.

Do we even deserve Christmas? “A Krixmas Carol” from The Krixhjälters reminds us of the children we’ve been killing in our many and frequent wars. Shame. Shame for turning Christmas into Hell.

There is no justice in the desert Because there is no God in Hell, sings Cass Dillon in his rocking pop song “Christmas in Fallujah.” Had to be there.

“She Gave Me Hell for Christmas” is a merry bluegrass shrug from The X-Misses. Ya git whut ya give.

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Amanda McCarthy suffers how the hell can I be merry if I have to bring your gift to a cemetery in a “Christmas Without You.” Lite pop that wanders into country mush. Holy hell.

Randy Pisswhistle is gentle and comforting with a folk “Christmas in Hell.” It’s other people, according to Sartre.

“It’s Christmas (But I Don’t Carey)” if half hate (kill Mariah Carey!) and half demon summoning from Go Go Ponies. Girl rock of the BLUE ALERT sort notices the hell in your veins, and your scarlet tongue too. You devil.

Megan McKenna’s “Family at Christmas” admits It’s one hell of a show (the family). Bouncy jazz retro rock that would fit in well coming out of elevator speakers.