The purpose of a “Brand New Christmas Song” is to get everyone to sing along, right? Dr. BLT belts it outwith country rocknroll. Drawly bubba religiosity.
Muppets pianoman Rowlf keeps the party rolling with his casual bonhomie in “The Christmas Party Sing-Along.” Ragtime that punches you in the syncopation. Bo-do-da-dum-dump.
Todd McHatton, a Washington state treasure, has an indefinite one-of-a-kind style. This kids song/’70s rock/peoples’ anthem will beckon and distance you all at once. “Sing Along to The Christmas Song” may not be possible, but you’ll catch yourself swaying i bet to its randomness.
Pentatonix doesn’t often ask you to help out (only every concert). So don’t miss out on this opportunity to join together in “The Christmas Sing-Along.” Grease up those scat wheels, you’ll need ’em.
Let’s skip ahead to “The Best Christmas Song” by Jon Lajoie, the Canadian stoner musician comic. While this is one of those blurred lines that is more song than about-a-song, it has the golden ratio of irony (-1:1) in that it is a bad song about mittens and necks, than the best song (presumably about peace and orgasm).
It’s fun to say no no no (around Christmas time we call that ‘coal mining’). That Something Piñata gets experimentally kidsong for “Don’t Play Me that Christmas Song.” Uncategorizable nonsense, but in a good way.
On the other hand, hipsters gotta hate. Todd Chappelle (funny Philly guy) parodies McCartney’s ‘Wonderful Christmastime’ to the tune of earworm dithering. Don’t you wish they would NOT play some songs? Then why’s he gotta go the ENTIRE distance?
Gospel might heal, so carols certainly uplift. The Statler Brothers spread the word with their Bible belt corn mush, preaching to the choir. “The Carols Those Kids Used to Sing” is a carol they sing. If you’re not a member you may not have heard of ’em.
Singing is part of the Christmas holiday. Hark, what did those herald angels do? Some songs even mention the act, in a fun ironic meta kinda way. No, they are not easy to come across, and some lines will be blurred in order to celebrate thusly.
Go with it.
Riders in the Sky have some virtuosic levity with the connectiveness of all carols with “The Last Christmas Medley You’ll Ever Need to Hear.” It’s largely instrumental, but they’re the cowboys who can swing it. JJ Dion has a “2.0 version” (now with a second verse) that really sings. Schticks to your funny bones.
Wendell Ferguson goes more melodic with “Why Does Every Christmas Song Have So Many Chords?” Slow country swing, deceptively so.
This romantic musical comedy/drama lands most of its genre parodying numbers including this detailed spoof on the California tourism ad “California Christmastime.” I watch it again and again. Rachel Bloom is gift to musical comedy.
The Adam Sandler toon movie series landed on Disney last year, but both are smart and rich enough to add some talent. “The Christmas Wrap Song” is kid mummy unleashing his inner present preparer for a few seconds in the stale comedy conflict.
Heir apparent to Phineas and Ferb, again features colorful Americans interacting with a soupçon of fantastical oddities. “Christmas, It’s Not a Time of the Year” is only glimpsed here, but showcases the creative team’s talent. Thank you.
The mutant DC spinoff that has cultivated cult followings spins out an occasional tune of ADHD length including “All Hail the Jolly Fat Man” (sweet jazzy fanfare).