The revolution against tonality takes many forms. The genre jazz is as widespread as is category music. All it needs is a little unpredictability, though enormous range doesn’t hurt.
Starting country, wandering through girlband, Brooke White edges into jazz with “Christmas Card,” a pro-con list of some considerable melody.
Crazy piano meanders through Anine Stang’s “Christmas Card.” More girl power balladeering, but this is a horror movie of a song.
Boy jazz vocals can be a stretch (to cracking), but Kirk Talley gives it the ol’ falsetto try with his “Christmas Card.” Get the dogs out of the room.
The pretty but crazy stuff sounds like Teresa James excruciatingly scrutinizing “The Christmas Card” she may or may not send to you. Wild clarinet improv while she considers.