Synecdoche is when a part of something stands for the whole thing. It’s simple idiom we don’t detect but use easily like ‘all hands on deck’ (meaning all sailors assemble on deck).

So the red suit is enough to signal the whole Santa is here thing.

Einstein’s Wardrobe add “The Man in the Red Velvet Suit” as just another detail to the whole scene. Not a mention of the Santa. Folk MOR.

Rod Stewart does his big jazz band diva thing for “Red Suited Superman.” You know who is cool.

Follow along with The Trail Band and their oompah country “Big Red Suit.” A childlike exploration of wonder seeing so many things but not knowing their meaning.

It may be still be mysterious to some (see yesterday) but The Ballroom Band is happy with the “Man in a Red Suit” celebrating the birth of Jesus, without knowing her personally. Give us a rockabilly smile.

When you see the red suit you think St. Nick, because “Santa Claus Wears a Red Suit.” It might look like Daddy, but–red suit! Jeff Gustafson wonders in this fizzy jazzy concoction.

Using the red suit as ammo to suck up, The Many-Splendored Things want Santa to know he looks “So Good in Your Red Suit.” Odd alt-pop insists they want nothing from that old guy. (Except 100,000$.)

Fetishizing the clothes, Merrill Leffmann admits “I Love a Man in Uniform.” Her jazz siren call drips all over the articles of attire, but seems to miss the man.

The revolution against tonality takes many forms. The genre jazz is as widespread as is category music. All it needs is a little unpredictability, though enormous range doesn’t hurt.

Starting country, wandering through girlband, Brooke White edges into jazz with “Christmas Card,” a pro-con list of some considerable melody.

Crazy piano meanders through Anine Stang’s “Christmas Card.” More girl power balladeering, but this is a horror movie of a song.

Boy jazz vocals can be a stretch (to cracking), but Kirk Talley gives it the ol’ falsetto try with his “Christmas Card.” Get the dogs out of the room.

The pretty but crazy stuff sounds like Teresa James excruciatingly scrutinizing “The Christmas Card” she may or may not send to you. Wild clarinet improv while she considers.

Let’s take a moment and find something not so wacky or weird. Are there songs about songs that be cool?

NiknJaps does exactly what i wanted: a pop experiment about the process of writing down the Xmas Sound. “My Christmas Song” comes in short, but sweet. Cool dat.

Finn McGinn & the Muddguards narrate the whole stage show (like in ‘Piano Man’) in unironic country (like that’s possible).”So Let’s Sing” celebrates best it can, given what’s given. So, that’s cool.

Glenn Trujillo and Rich Wenzel go deep into their alt-folk past for “This Christmas (Sing for Christmas).” It’s spiritually cool.

Kurt Elling settles your hash with piping hot jazz. “Sing a Christmas Carol” tootles around the canon, but rousts yon spirits brightly. Tell me that’s not cool.

Had enough?

Lab Rat’s dad homebrews “Please Don’t Play Another Christmas Song” as a blues tutorial in how to suffer the holidays. Solid chops.

Devon Yesberger demands we stop the madness of yet another song with yet another song. Get it? “Not Another Christmas Song” is some nice jazz with just a whiff of wit. Passes the sniff test.

Taking it seriously, Robert Serling and Emily Lozcalo emote “Just Another Sad Christmas Song,” but i think they ran out of nouns. It’s folkie funk about missing you.

Sir Cadian Rhythm frontman Jack Weppler takes “Another Christmas Song” more seriously with a bluesy jazz rumination about how this song’s the only thing, baby. Moody.

This show only lasted 10 seasons, so it’s no NCIS. But this show gave us a couple songs. Guest star Erica Gimple sings “We’ll Catch Up” (not too Christmassy and only half a song, but amazingly uninterrupted) and “Wishing It were Christmas” with a USO PSA. Now that’s a holiday assault.