Baby It’s Cold: 1950 white v. black

Now most of 1950 U.S. culture is whiter than white. The Oscar winner is “All About Eve.” The big B’way hit is “Guys and Dolls.” We do flirt with ‘others’ in Ray Bradbury’s The Martian Chronicles. Overall white might seems uncontested as urban sprawl spawns the suburbs. Did you know this year debuts ‘Silver Bells’ (Bing Crosby and Carol Richards)? ‘As the shoppers rush home with their treasures.’ Caucasian says what?

I mean check out the future Kookla Fran and Ollie puppeteer Fran Allison, with ‘Sweet Angie (The Christmas Tree Angel)‘ and flipside ‘Christmas in My Heart.‘ Bourgeoisie clean and butterfat friendly.

But 1950 is not a snowstorm of whitiness. Sugar Ray has boxing day sewn up. Althea Gibson becomes the first person of color to compete in U.S. tennis championships. The Supreme Court begins striking down segregation laws. And a U.N. mediator, Ralph Bunche, becomes the first black allowed to win a Nobel Peace Prize.

You know, the ’50s is the crucibicular birthing of rock ‘n’ roll, so let’s follow that forbidden beat from its wild ethnic backrooms through the honkey tonks and into the juke boxes of our young, rebellious delinquencies. Bend an ear towards Mickey Champion and the Nic Nacs: “Gonna Have a Merry Xmas.” What you kids listenin’ at?